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P R E S S 

Please click on links for the full review

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Pianomania, Chang Tou Liang

also on The Straits Times

November 2022

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Lianhe Zaobao, Zhang Heyang

October 2022

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The AlumNUS, Roy Sim

October / December 2022

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The Straits Times, Ong Sor Fern

September 2022

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Pianomania, Chang Tou Liang

June 2022

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Lianhe Zaobao, Zhang Heyang, April 2022

"SEVEN" Pre-Release Article

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The Flying Inkpot, Aileen Tang, April 2022

"SEVEN" Pre-Release Interview

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Composers Society of Singapore, March 2022

 

Since 2020, the Composers Society of Singapore (CSS) has been releasing a monthly series for our Musings section, Composer of the Month! The 3rd CSS Composer of the Month for 2022 is PHOON Yu! PHOON Yu is a Singaporean composer and organist currently pursuing a Doctor of Musical Arts Degree in Organ Performance at The Juilliard School in New York City, USA. (Click here to read full interview)

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Pipe Echoes, August 2021

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The American Organist, January 2021

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The American Organist, January 2020

乐迷重回 熟悉的音乐厅

Full review: https://www.zaobao.com.sg/zlifestyle/culture/story20200917-1085545

目前正在美国茱莉亚音乐学院攻读音乐艺术博士学位的潘宇,今年3月回国后便鲜有机会接触到管风琴,所以这次演出机会对他来说格外难得。管风琴作为一件古老而庞大的乐器,通常是教堂和音乐厅在建筑设计上的一部分,因此也常被称为乐器中的“不动产”。在过去的几个月里,潘宇只好去借用本地音乐学校的电子管风琴作为替代。重返舞台,潘宇说最大的感受是一种熟悉感。虽然过去几个月里远离自己的乐器会有些不适,但是当他再次触摸到管风琴键盘的时候,就仿佛什么也没发生过一样,是一种久违的安心感。

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Pipe Echoes, December 2020

RACHMANINOFF 3 / Orchestra of the Music Makers / Review

Dr Chang Tou Liang

January 2017

http://pianofortephilia.blogspot.com/2017/01/rachmaninoff-3-orchestra-of-music.html

"Phoon Yu's vision of Op.23 No.3 was gavotte-like, cleverly utilising strings and woodwinds, even giving concertmaster Chan Yoong Han's violin an exquisite solo. These imaginative efforts follow in the illustrious tradition of Respighi and Stokowski in transcribing Rachmaninoff."

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The Enduring Relevance of the Organ

December 2018

https://www.juilliard.edu/news/137336/enduring-relevance-organ

"The first half of the concert consisted of music from and paying homage to the Baroque era as well as an electronics-and-visual performance that would have captivated even the most inattentive parishioner. The second half was entirely dominated by the portative organ, which I played. The repertoire consisted of pieces for solo keyboard based on eight chorales from the magisterial third part of Johann Sebastian Bach’s Clavier-Übung; they were each paired with a piece commissioned for this concert, written by an alumnus of the conservatory. Some composers took their cues from the chorale tunes that Bach based his pieces on. Others were inspired by the texts. One composer reimagined one of Bach’s chorale preludes, writing as if Bach lived in present-day Singapore."

SHUXIANG, ESTHER & FRIENDS / Yang Shuxiang and Friends / Review

Dr Chang Tou Liang

August 2014

http://pianofortephilia.blogspot.com/2014/08/shuxiang-esther-friends-yang-shuxiang.htm

"The second-generation composer (son of the esteemed Phoon Yew Tien) proved to be a chip off the old block, with his highly coherent tonal work sustaining an air of sombre anguish through its 6 minutes. The plaint of the strings was contrasted with series of piano chords and the solo violin’s attempts to establish a melodic line, ending definitively with a strum on a piano bass string by the composer himself."

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